After Images: Photography, Archaeology, and Psychoanalysis
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After Images: Photography, Archaeology, and Psychoanalysis
After Images: Photography, Archaeology, and Psychoanalysis and the Tradition of Bildung
Eric Downing
Kritik: German Literary Theory and Cultural Studies Series
Contents
- Acknowledgments
- A Word about Translations
Introduction
- 1. Photography, Psychoanalysis, and Bildung in Thomas Mann’s The Magic Mountain
- Preparing Our Plate
- Photographic Memory and Development
- The Developer
- Con/Templating the Subject
- The Black and White of Sex, Gender, and Subjectivity
- The X-Ray and the Portrait
- Pencil and Picture: Phallus and Photo
- X-Rayed Endings
- The Problem of the Missing Fixative
- Outside the Frame: Paraphotography and the Ent-wicklung of Bildung
- 2. Archaeology, Psychoanalysis, and Bildung in Freud and Wilhelm Jensen’s Gradiva
- PART 1. SPLIT IMAGES: NINETEENTH-CENTURY ARCHAEOLOGY
- PART 2. CLASSICAL DIRT (GRADIVA)
- Site Prep (Auszug)
- Digging Freud
- Gradiva (Reliefbild)
- White Archaeology
- Saxa Loquuntur
- Introjection
- 3.Bildung and the Archaeology of Images in Walter Benjamin’s Berlin Chronicle
- New Developments
- Berlin Chronicle as Bildungsgeschichte
- Technik: Photography, Archaeology
- Archaeology Old and New
- The Archaeology of Bildung
- Introjection: Archaeology
- Images (Bilder)
- Photography Old and New
- The Photography of Bildung
- Introjection: Photography
- Lithophanic Endings
Epilogue (Nachbildung): Bildung, Archaeology, and Photography in W. G. Sebald
- Notes
- Works Cited
- Index
http://wsupress.wayne.edu/german/cultural/downingai/downingc.html
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Παρόμοια θέματα
» Photography as an Extension of the Ego
» Photography: A Critical Introduction
» Photography as psychoanalysis: interesting dialogue
» Photography: A Critical Introduction
» Photography as psychoanalysis: interesting dialogue
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